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Space Shuttle Sex Murders

by Space Shuttle Sex Murders

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1.
Neon signs are flashing by The cold in the air outside I'll be swallowed whole alive I can't go back tonight The engines are glowing bright The fire burning up inside I don't care if I die I have to go back tonight To celebrate her glory And to try to find a way To be a part of something greater Once again This feeling unholy I have fallen from the grace Need to feel something Once again Once again Once again Once again Once again... The speed and the purr I need to embrace her The warmth and the fire Machinic desire
2.
(Instrumental)
3.
Café Flesh 04:04
Cafe Flésh The loss of Order Shed your chains Free from everything Free from the mind Free from the society of man Everything you could desire But the flesh must choose No ideology No identities No humanity And no control Free from the mind Free from the society of man Everything you could desire But the flesh must choose No ideology No identities No humanity And no control New flesh Café Flesh New flesh Café Flesh... (Dedicated to David Cronenberg & Stephen Sayadian)
4.
(Instrumental)
5.
The body without organs is a coherence-surface of differentials, paradox-web spun like a disintegrating bandage upon the infectious wounds of aesthetics of reality. What the secondary process, compiled as your mind, experiences as memory, consciousness and data-acquisition, is for the primary process of machinic unconscious only microsofted irritations shaped as pain-gradients and thresholds. Every coupling of machines, every production of a machine and every sound of a machine running, has become unbearable to the body without organs. Sensing beneath the organs only larvae and worms, and the action of a God, strangling his own creation through organization. Filling up the attractor basins of social megamachinery, all fluctuations are case-packed into reproducible units, geochemical, bio-organic or cultural. Oedipus is a box at the end of the world, glued to the monitor, watching it all come apart. Arriving reprocessed from inexistence at phase-transition into Hell or the future, you slide an interlock-pin into its sub-cortical socket, shifting to the other side of the screen. Pandemonium scrolls out in silence. Decayed pixel-dust drifting into grey dunes. All vital differentiation is a unilateral deviation from death as zero-degree of intensive matter; the reality of identity is death. (Arranged and edited from 'Fanged Noumena' by Nick Land)
6.
(Instrumental)
7.
They say war never changes But it's not true This one's different This one's new These nightmare creatures With killing features In their appearance A glimpse of death They say war never changes But it's not true This one's different This one's new You see the falling angels? And the lightning in the sky It all ends tonight Nothing will be allright
8.
(Instrumental)
9.
The marshes of the west The only place that I can get We aren't welcome back When the shadow of the beast In the daylight you will see The curse of our kind The city lights I see When darkness cradles me Reminder of what we used to be Just like the animals in wild From their hatred we must hide Just distant memories It hasn't always been this way But nothing else remains We can never go back Maybe there could be a cure They'd have found it, I'm sure But it's too late Once we were so much like them I can barely remember It's all too far away But when we hear the owl's sign We can leave our dark reside The children of the night I can hear the owl Flying high Night's herald Paints the sky I can see the owl Flying free Night's herald She's our key It hasn't always been this way But nothing else remains We can never go back When the shadow of the beast In the daylight you will see The curse of our kind The city lights I see When darkness cradles me Reminder of what we used to be But when we hear the owl's sign We can leave our dark reside The children of the night I can hear the owl Flying high Night's herald Paints the sky I can see the owl Flying free Night's herald She's our key (Dedicated to Psygnosis Limited and Roger Dean)
10.
Nightdreams 04:09
I've been trying to sleep But I'm afraid I'll go too deep It's always coming back to me In the silence, the wail of the banshee Maybe it's all just in my head The pain and the bloodshed It wasn't my fault, I can't control it I'm falling... Into nightdreams Into nightdreams Now they're trying to find me In the darkness, here I'm free But I'm planning to rid of them all With this power they gave me... In these nightdreams These nightdreams Nightdreams Nightdreams I'm falling into nightdreams The memories, the pain and the bloodshed Nightdreams I'm falling
11.
When the bombs began to fall I was waiting for you We'd never see each other at all I knew We'd had it all In a way, I knew you'd run away When the flames made a wall In my way Now it's been so long The cities growing green and all And your face all wrong I recall But I'll always remember those first weeks After I'd lost your lips When the Earth began to weep After the apocalypse It can never be the same again Just different So different It can never be the same again Just different So different...

about

Garbage time is running out.

The human race spreading venereally beyond the solar system, seeking existential escape through (cyber)space, despotic soma and new schizovampiric erotic media; the remains of former dominions turning into continental paranoia laboratories with maniac Turing-cops pursuing sinister subcultures, morbid mutant death-clubs and deranged rogue AIs into labyrinthine neon crypts.

Hack the future and embrace the ever-approaching global geotrauma.

DEHUMANIZE YOURSELF
AND FACE TO BLOODSHED

-=666555332299666889994455999--

(CHECK OUT THE VIDEO FOR "MACHINIC DESIRE": www.youtube.com/watch?v=7FQ9Xv2eNP8

credits

released December 31, 2017

Music, art and production by M.Ö.

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Space Shuttle Sex Murders Oulu, Finland

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